Published by:
enemy on:
February 27, 2010 in
Reviews.
Tags: 70's, action, afro, blaxploitation, comedy, dance, drama, drugs, kung fu, Rudy Ray Moore.

Rudy Ray Moore is the Tucker Williams, the Disco Godfather – the owner of the very popular Blueberry Hill disco. He dances a mean game, and spins an even meaner game from the DJ booth. When his nephew Bucky gets mixed up in some bad business, Tucker takes it upon himself to rid the streets of that bad stuff!
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I’ve been seeing the trailer for Black Dynamite for what seems like decades. But maybe it’s just that it’s based in the 70’s and the trailer has actually been showing on the Internet for almost 2 years. Ever since we saw it me and my buddies were hooked! I was a huge fan of Grindhouse and this was another one of those type movies, a period piece so to speak that doesn’t take itself too seriously. Michael Jai White plays the title character and reminds me of Jim Kelly in Black Belt Jones. In fact if you are a fan of that movie or other Blaxploitation movies like it you don’t even need to read this review, just go see this flick, I promise you won’t be disappointed!
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The story for Kamillions is very simple: A scientist has been working on opening a portal to another dimension, and today on his 50th birthday (and coincidentally while his family prepares a birthday party for him), he succeeds. In this other dimension, he sees lifeforms that resemble horseshoe crabs moving around and he notes the activity of these crabs. After the window on his portal machine thing breaks, the scientist Dr. Nathan Wingate (Harry S. Robins) gets sucked into this other dimension, and two of these crab creatures jump out. These crab like creatures have the ability to replicate itself into the image any living body it can come into contact to, or can see (now you can figure out how they got the title). All of this craziness happens as the guests are arriving, and any of the guests are prime targets for this mighty morphin spectacular.
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I’m not usually a fan of horror comedy movies. To be more specific, I’m not usually a fan of zombie movies that try to be comedies. Shawn of the Dead is one exception to that rule, and the original Return of the Living Dead is another. What usually happens is that they try too hard to be funny, and either end up too hokey or don’t do the horror element very well. Shawn of the Dead and Return of the Living dead put the immediacy of the horror first, and add the comedy bits on top with the realistic character portrayals, and that’s what make them good movies. Thankfully, Return of the Living Dead II continues building on top of the foundation that the first film in the series started.
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Everyone has heard the saying, “you don’t know what you’ve got until it’s gone.” Well sometimes you can say “you don’t know what you’ve got until you see an article about it on ABC News!” Such was the case a few months ago when the guys here at IB came across The Room. We watched, knowing it was a BAD movie. But I don’t think we were quite prepared at the time to appreciate just how bad it is. So after seeing that in a few short months this movie (which is 6 years old) has developed a cult following and is now being called “the Citizen Kane of bad movies”, we just had to sit down and watch it again. We now bring to you the brilliant misery that is Tommy Wiseau’s lifelong dream, his baby, his masterpiece… we bring you The Room!
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